The tight race for Billboard Hot 100 #2 the week of August 1 reflects intense competition among established hits and recent releases from major artists. Ella Langley’s “Choosin’ Texas” and “Be Her” continue to benefit from country-pop crossover momentum, robust streaming, and radio dominance after her prolonged #1 run, while Olivia Rodrigo’s “Drop Dead,” “Stupid Song,” and “The Cure” draw on strong pop engagement and album-driven consumption. Taylor Swift’s “I Knew It, I Knew You,” Ariana Grande’s “hate that i made you love me,” and Drake’s “Janice STFU” add further pressure through consistent airplay and fan-driven metrics. With multiple tracks per artist vying for positions and no clear separator in recent chart data, traders see outcomes hinging on final streaming updates and radio gains before the tracking week closes.
Polymarketデータを参照したAI生成の実験的な要約。これは取引アドバイスではなく、このマーケットの解決方法には一切関係ありません。 · 更新日ビルボードHot 100 # 2ソングウィーク8月1日
I Knew It, I Knew You - テイラー・スウィフト 99.1%
Be Her - Ella Langley <1%
Choosin' Texas - Ella Langley <1%
Drop Dead - オリヴィア・ロドリゴ <1%
$16,594 Vol.
$16,594 Vol.
Be Her - Ella Langley
いいえ
Choosin' Texas - Ella Langley
いいえ
Drop Dead - オリヴィア・ロドリゴ
いいえ
I Knew It, I Knew You - テイラー・スウィフト
はい
hate that i made you love me - Ariana Grande
いいえ
Stupid Song - Olivia Rodrigo
いいえ
The Cure - オリヴィア・ロドリゴ
いいえ
Janice STFU - ドレイク
いいえ
I Knew It, I Knew You - テイラー・スウィフト 99.1%
Be Her - Ella Langley <1%
Choosin' Texas - Ella Langley <1%
Drop Dead - オリヴィア・ロドリゴ <1%
$16,594 Vol.
$16,594 Vol.
Be Her - Ella Langley
いいえ
Choosin' Texas - Ella Langley
いいえ
Drop Dead - オリヴィア・ロドリゴ
いいえ
I Knew It, I Knew You - テイラー・スウィフト
はい
hate that i made you love me - Ariana Grande
いいえ
Stupid Song - Olivia Rodrigo
いいえ
The Cure - オリヴィア・ロドリゴ
いいえ
Janice STFU - ドレイク
いいえ
This market will resolve according to the number 2 song on the Billboard Hot 100 chart titled “Week of August 1, 2026”. The named songs will be primarily ranked by order on the specified chart. If two or more songs are tied for any position, ties will be broken by alphabetical order of the songs' listed titles. This market will resolve to the song that occupies the second-highest finishing position after applying this ranking.
This market will resolve as soon as the relevant chart is published. If the Billboard Hot 100 chart for the specified week is not published within 14 calendar days of the expected release date, this market will resolve to “Other”.
The resolution source for this market will be the official Billboard Hot 100 chart, published on the Billboard website (https://www.billboard.com/charts/hot-100/) or through other official Billboard channels.
マーケット開始日: Jul 17, 2026, 7:50 PM ET
Resolver
0x69c47De9D...提案された結果: いいえ
異議申し立てなし
最終結果: いいえ
This market will resolve according to the number 2 song on the Billboard Hot 100 chart titled “Week of August 1, 2026”. The named songs will be primarily ranked by order on the specified chart. If two or more songs are tied for any position, ties will be broken by alphabetical order of the songs' listed titles. This market will resolve to the song that occupies the second-highest finishing position after applying this ranking.
This market will resolve as soon as the relevant chart is published. If the Billboard Hot 100 chart for the specified week is not published within 14 calendar days of the expected release date, this market will resolve to “Other”.
The resolution source for this market will be the official Billboard Hot 100 chart, published on the Billboard website (https://www.billboard.com/charts/hot-100/) or through other official Billboard channels.
Resolver
0x69c47De9D...提案された結果: いいえ
異議申し立てなし
最終結果: いいえ
The tight race for Billboard Hot 100 #2 the week of August 1 reflects intense competition among established hits and recent releases from major artists. Ella Langley’s “Choosin’ Texas” and “Be Her” continue to benefit from country-pop crossover momentum, robust streaming, and radio dominance after her prolonged #1 run, while Olivia Rodrigo’s “Drop Dead,” “Stupid Song,” and “The Cure” draw on strong pop engagement and album-driven consumption. Taylor Swift’s “I Knew It, I Knew You,” Ariana Grande’s “hate that i made you love me,” and Drake’s “Janice STFU” add further pressure through consistent airplay and fan-driven metrics. With multiple tracks per artist vying for positions and no clear separator in recent chart data, traders see outcomes hinging on final streaming updates and radio gains before the tracking week closes.
Polymarketデータを参照したAI生成の実験的な要約。これは取引アドバイスではなく、このマーケットの解決方法には一切関係ありません。 · 更新日
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外部リンクに注意してください。
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